They carried the conversations into depths of depravity.” They appeared to think that the Negro has done all of those “special” things they themselves have never dared to do. All showed morbid curiosity about the sexual life of the Negro, and all had, at base, the same stereotyped image of the Negro as an inexhaustible sex-machine with oversized genitals and a vast store of experiences, immensely varied. Some were shamelessly open, some shamelessly subtle. A man will reveal himself in the dark, which gives the illusion of anonymity, more than he will in the bright light.

With a Negro, they assumed they need give no semblance of self-respect or respectability. All but two picked me up the way they would pick up a pornographic photograph or book - except that this was verbal pornography. It quickly became obvious why they picked me up. They blear into a nightmare, the one scarcely distinguishable from the other. “I must have had a dozen rides that evening. ― John Howard Griffin, quote from Black Like Me Otherwise, the sounds from the quarter would lose order and rhythm and become wails.”

You are condemned.” This is what the white man mistook for “jubilant living” and called “whooping it up.” This is how the white man can say, “They live like dogs,” never realizing why they must, to save themselves, shout, get drunk, shake the hip, pour pleasures into bellies deprived of happiness. So the noise poured forth like a jazzed-up fugue, louder and louder to cover the whisper in every man’s soul.

“They’re happy.” Or, as one scholar put it, “Despite their lowly status, they are capable of living jubilantly.” Would they see the immense melancholy that hung over the quarter, so oppressive that men had to dull their sensibilities in noise or wine or sex or gluttony in order to escape it? The laughter had to be gross or it would turn to sobs, and to sob would be to realize, and to realize would be to despair. “The niggers are whooping it up over on Mobile Street tonight,” they might say. I wondered how all this would look to the casual observer, or to the whites in their homes. “The music consumed in its blatant rhythm all other rhythms, even that of the heartbeat.

Griffin black like me